With every album, an artist may surprise fans with a follow up album or part two that does not necessarily supersede the first.

Lupe Fiasco’s “Food and Liquor 2: The Great American” Rap album is a prime example of this.

Although this 17-track album is by no means bad, it possesses a distinct quality that draws fans in and opens eyes to a broader spectrum.

Once again, Lupe presents listeners with revolutionary wisdom that provokes change, understanding, and compassion.

Lupe not only indulges in the struggles of Americans but ventures into the hardships endured in Egypt, Africa, Libya and other countries.

Lupe continues the tradition of opening his album by incorporating a powerful spoken word recording of his sister entitled, “Ayesha Says,” that opens the gates to revolutionary bliss.

“Food and Liquor II” not only guides listeners down the road of revolution but leads them to the valley of love and redemption with strong collabs like “Battle Scars” featuring Guy Sebastian, “How Dare You” featuring Bilal, and “Heart Donor” featuring Poo Bear.

Lupe introduces songs that shows Chi-town rappers compassion for humanity.

Songs such as “B**** Bad” gives listeners an anti-misogynist view on how the phrase “bad b****” contains so much bad taste with its explicit misuse and acceptance towards and amongst females.

On his track “Hood Now (Outro),” he explores different examples of how the world has been transformed by urban lifestyle, from saggy pants and gold teeth to diamond chains and upscale cars.

Lyrically, Lupe still rules with an iron-fist attacking his versus with clever, unique metaphors that paint his messages beautifully.

The artist’s ability to rap with substance sets him apart from most of today’s mainstream rappers.

His approach to the release of this album is quite contrary to the release of his previous albums.

Lupe fails to give radio a mainstream song, but hopes his album is strong enough to grab radios attention.

Although this album has many good listens, the production of some tracks leave listeners confused.

Tracks such as “Strange Fruition” featuring Casey Benjamin fall short with the poor production of its chorus that is barely audible.

In all, the album does not surpass any of his previous albums but it is indeed a great listen that takes listeners through a refreshing historic journey.

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• Brie-anne Robinson Contributor